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- PALESTINIAN ARTISTS URGE – SUPPORT CULTURAL BOYCOTT OF ISRAEL
- Why our boycott campaign against Israel makes sense
- Jerusalem BDS activist in face-to-face talk with star of NBC’s ‘DIG’
- WHOEVER THE BRUSSELS MUSEUM KILLER WAS, ISRAEL CAN’T BLAME FRIENDS OF PALESTINE
- NORMAN FINKELSTEIN, CRITIC OF ISRAEL AND BDS, SPEAKS IN LONDON
- US ACADEMICS REPLY TO ANTI-BOYCOTT CRITICS
- B.D.S SHATTERS ISRAEL’S “ILLUSION OF INVULNERABILITY”
- JEWISH CHRONICLE LASHES OUT AS UK ARCHITECTS CALL ISRAEL’S SETTLEMENT BUILDERS TO ACCOUNT
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Category Archives: ireland
J-BIG actively supports a wide range of cultural boycott campaigns, one of the most important of which works to persuade well-known artists not to endorse Israeli Apartheid by performing or allowing their work to be exhibited or performed in Israel.
Plans by singer Chris de Burgh to perform in Tel Aviv on March 29 has provoked an eloquent letter from Dr Raymond Deane of the Ireland-Palestine Solidarity Campaign.
We reproduce Raymond’s letter below.
Dear Chris de Burgh,
In your song Lebanese Nights you wrote:
All over the world, the gift from before,
Nothing is left for the children of war…
Since the year 2000 more than 1400 Palestinian children have been killed by Israeli soldiers and illegal colonial settlers. Defence for Children International estimates that “since the year 2000, around 8,000 Palestinian children have been detained and prosecuted in the system…. The majority of these children are charged with throwing stones.”
In a report last month (February 2014), Amnesty International declared that Israeli forces have displayed a callous disregard for human life by killing dozens of Palestinian civilians, including children, in the occupied West Bank over the past three years with near total impunity…”
These children are indeed “children of war”, but is there really nothing left for them except “the gift from before”? Do we not owe them our solidarity, particularly in view of the failure of the international community to end Israel’s “near total impunity”?
Almost a decade ago, in July 2004, dozens of Palestinian federations, associations, and civil society organizations “call[ed] upon our colleagues in the international community to comprehensively and consistently boycott all Israeli academic and cultural institutions as a contribution to the struggle to end Israel’s occupation, colonization and system of apartheid…”, and in particular to “refrain from participation in any form of academic and cultural cooperation, collaboration or joint projects with Israeli institutions” (note that this call is not directed against individuals).
One year later a more comprehensive call came from some 170 Palestinian civil society organisations for Boycott, Divestment and Sanctions against the Israeli state “until Israel meets its obligation to recognize the Palestinian people’s inalienable right to self-determination and fully complies with the precepts of international law.” A year later again, over 100 Palestinian Filmmakers, Artists and Cultural Workers called for a cultural boycott in similar terms. These calls from the oppressed constitute a strong mandate.
Recently such famous musicians as Roger Waters (who declared his “solidarity, not only with the people of Palestine, but also with the many thousands of Israelis who disagree with their government’s racist and colonial policies, by joining a campaign of Boycott, Divestment, and Sanctions against Israel…”) and Elvis Costello (“there are occasions when merely having your name added to a concert schedule may be interpreted as a political act that resonates more than anything that might be sung and it may be assumed that one has no mind for the suffering of the innocent… “) have refused to perform in Israel.
Not least, at time of writing some 260 Irish creative and performing artists have signed a pledge undertaking not to accept invitations to Israel. Musicians constitute the largest single group of signatories, including Andy Irvine, Dónal Lunny, Peadar Ó Riada, Liam Ó Maonlaí, Damien Dempsey, Sharon Shannon, and many others from the fields of popular, traditional, jazz and classical music.
In view of these manifestations of solidarity and concern, your decision to perform in Tel Aviv on 29th March has been noted with deep disappointment.
It is because our governments refuse to take action to curb Israel’s crimes, even when enjoined to do so by the International Criminal Court or indeed by their own statutes (e.g. article 2 of the Euro-Mediterranean Association Agreement), that civil society is obliged to call for such harsh tactics as cultural, sporting and academic boycotts. Such tactics are aimed at bringing to an end the circumstances that called them into being – in this case, Israel’s occupation of Palestinian lands, its siege of Gaza (declared illegal by an independent UN panel), and its policies of apartheid and colonisation.
You may argue that music is “above politics”, but this hardly stands up in view of a statement by Nissim Ben-Sheetrit, now Director General of the Israeli Foreign Ministry, that Israel “see[s] culture as a propaganda tool of the first rank, and… do[es] not differentiate between propaganda and culture.” (Ha’aretz, 21/09/05). This means that any artist(e) visiting Israel will be exploited by that state’s very active propagandists to normalise it and to whitewash its crimes. By cancelling your projected concert in Tel Aviv you will be joining the likes of Stevie Wonder, Annie Lennox, Roger Waters, Elvis Costello and other conscientious musicians in refusing to be “propaganda tools” for the Israeli state.
But most importantly, by not crossing the picket line you will be showing the persecuted Palestinians that something is indeed left for the children of war – hope.
Yours sincerely –
Dr Raymond Deane
Ireland-Palestine Solidarity Campaign
Six months have passed since the 2011 UEFA Under-21s competition in Denmark and the launch of a campaign to persuade European football’s governing body to reverse its decision granting Israel the junior final in 2013.
Photo: Agence-France Presse
So far UEFA President Michel Platini has stubbornly refused to respond to the appeal last June from 42 football clubs in besieged Gaza, not to reward Israel for its persistent infringements of Palestinian rights.
This is despite a steady stream of protests including a pitch invasion by French protesters, a “Love Football, Hate Apartheid” action in Ireland and publication of a letter signed by high-profile individuals in two leading European newspapers.
“A state that uses military might to hold sway over land it illegally occupies and exploits, flouts international law and ignores UN resolutions surely forfeits the right to be treated as a member of the community of nations,” the letter said.
It called on UEFA to “respond positively” to the appeal from the 42 Gazan football clubs, backed by many sporting bodies.
Supporters of the Red Card Israeli Apartheid campaign are now preparing to ratchet up the action with direct approaches to national football association presidents, supporters clubs and fans.
“UEFA is faced with serious ethical and moral problems by the choice of an Israeli venue for the finals,” said London-based campaign coordinator Geoff Lee. “With all the concern about racism in and around the game at the moment, it’s time to wake up to the fact that Israel’s entrenched discrimination against Palestinians amounts to systematic racism affecting football along with the rest of society.”
This piece by Raymond Deane, cultural officer of Ireland’s Palestine Solidarity Campaign, reposted from Irish Left Review, includes a useful discussion of how to apply the criteria for cultural boycott.
Between 24-27 November 2011, the Government of Israel held “Israeli Film Days” at Filmbase in Temple Bar, Dublin’s “cultural quarter”. In advance of this event, the Ireland Palestine Solidarity Campaign (IPSC) requested Filmbase to reconsider its decision to host the festival:
“At a time when Irish peace activists have been illegally imprisoned in Israel after their humanitarian ship the MV Saoirse was hi-jacked in international waters by Israeli commandos, hosting these ‘Israeli Film Days’ sends out the worst possible message: that Filmbase is indifferent to its exploitation as a site of propaganda for the state that perpetrates such atrocities. To cancel the event at this point would… be perceived worldwide as an honourable gesture of solidarity with the oppressed Palestinian people who have called for an international cultural boycott of the Israeli state.”
The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) also issued an “Open Letter to Filmbase“, expressing its surprise
“that a prominent Irish cultural institution would allow the Israeli embassy to carry out this audacious ‘Brand Israel’ activity on its premises hardly two weeks after Irish peace activists were illegally apprehended by the Israeli navy in international waters, humiliated, and imprisoned in Israel…”
These approaches were rejected by Filmbase, despite much dissension among its employees, not all of whom supported the decision to host the event.
The Irish Times has published a protest letter challenging UEFA’s decision to let Israel host the Under 21 finals in 2013 Irish Times.
The letter (appearing under the headline “Israel to host tournament”), mirrors one published in the UK Guardian a month ago, with the addition of prominent Irish names including that of 1976 Nobel Peace Prizewinner Mairead Maguire.
Photo: Agence-France Presse
European football’s governing body has yet to reply to an appeal from Palestinian football clubs in June not to reward Israel for its persistent infringements of Palestinian rights.
Pitch invasions by French protesters and a “Love Football, Hate Apartheid” action in Ireland last week expressed growing outrage at UEFA’s decision to let Israel host the Under 21 football final in 2013.
Photo: Agence-France Presse
European football’s governing body has yet to reply to an appeal from Palestinian football clubs in June not to reward Israel for its persistent infringements of Palestinian rights. This is despite a deluge of protest messages to UEFA president Michel Platini and a direct challenge from prominent Europeans published in a UK national newspaper.
French protesters invaded the pitch five times when Israel’s national women’s team played at Troyes on October 26. Irish campaigners used leaflets and banners to get their message across at another women’s European Cup qualifier at Tallaght stadium on October 22.
Martin O’Quigley of the Ireland Palestine Solidarity Campaign said: “Some say that sport and politics should not mix, however we say that sport and racism should never mix.”
He drew a comparison with the sporting boycott against South Africa, which was one of the most effective tools employed in ostracising that state and revealing to the world its Apartheid regime and disregard for human rights.
O’Quigley said that while Israeli teams can travel and play freely, Israeli authorities regularly refuse visas to Palestinian female and male footballers alike.
According to Stephane Mahon, an organiser for the French campaigning group EuroPalestine, five girls and boys wearing green boycott Israel T-shirts or carrying Palestinian flags ran onto the pitch during the second half of the France-Israel match at Troyes. The last young woman suffered a cracked rib while being roughly handled by ground staff.
This is not shown on the video because the camera operator and other activists were ejected from the ground while the protest was going on.
Go to the BDS website for information on how to support the Red Card campaign.